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<?xml-stylesheet type="text/xsl" href="../assets/xml/rss.xsl" media="all"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Philippe Strauss website (Posts about Audio)</title><link>https://straussengineering.ch/</link><description></description><atom:link href="https://straussengineering.ch/categories/audio.xml" rel="self" type="application/rss+xml"></atom:link><language>en</language><copyright>Contents © 2025 &lt;a href="mailto:catseyechandra74 at gmail dot com"&gt;Philippe Strauss&lt;/a&gt; 
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src="https://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png"&gt;&lt;/a&gt;</copyright><lastBuildDate>Wed, 16 Jul 2025 11:06:05 GMT</lastBuildDate><generator>Nikola (getnikola.com)</generator><docs>http://blogs.law.harvard.edu/tech/rss</docs><item><title>Zölzer-Boltze (ZB) peak/notch parametric EQ in C</title><link>https://straussengineering.ch/posts/zb-peaknotch-parametric-eq/</link><dc:creator>Philippe Strauss</dc:creator><description>&lt;div&gt;&lt;h3&gt;For digital audio signal processing&lt;/h3&gt;
&lt;p&gt;I was looking for a good implementation of parametric EQ for digital
audio, didn't find something valuable enough, so I needed to roll my
own. I retained a paper by two german guys, Mrs. Zölzer and Boltze, and
implemented it.&lt;/p&gt;
&lt;p&gt;It has the best parameters independance of all the one I browsed
through. Well, center frequency, Q factor and cut/boost gain are simply
&lt;em&gt;really&lt;/em&gt; independant in their work, contrary to a lot of such projects
you will find while googling around.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://straussengineering.ch/posts/zb-peaknotch-parametric-eq/"&gt;Read more…&lt;/a&gt; (6 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>ANSI C</category><category>Audio</category><category>Digital filters</category><category>DSP</category><category>Programming</category><guid>https://straussengineering.ch/posts/zb-peaknotch-parametric-eq/</guid><pubDate>Sun, 14 Aug 2011 22:00:00 GMT</pubDate></item><item><title>Une première approche de rationalisation concernant l'harmonie musicale</title><link>https://straussengineering.ch/posts/harmonie-musicale/</link><dc:creator>Philippe Strauss</dc:creator><description>&lt;div&gt;&lt;p&gt;Qu'est ce qui caractérise, de manière objective, quantifiable, un accord
de deux sons, deux notes, tantôt dissonantes, tantôt consonantes ? On
connait la nature vibratoire du son, soit une variation rapide de la
pression atmosphérique, généralement de petite amplitude. Qu'elle sont
les grandeurs physiques en jeux par rapport à l'harmonie, aussi notion
apparament subjective si l'en est ?&lt;/p&gt;
&lt;p&gt;&lt;a href="https://straussengineering.ch/posts/harmonie-musicale/"&gt;Read more…&lt;/a&gt; (6 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>Audio</category><category>Musique</category><guid>https://straussengineering.ch/posts/harmonie-musicale/</guid><pubDate>Sun, 31 Jul 2011 22:00:00 GMT</pubDate></item></channel></rss>